Two Million Views!

Some time last week I crossed two million views on my Flickr pages. That's a 2 followed by six zeroes. 2 x 10 to the sixth power. 2,000,000. It's far less than a bazillion, but greatly more than a couple score. If views were simoleons, it would be a lot of simoleons. As a count of eyeballs, it approaches 4,000,000, assuming eyeballs mostly come in pairs.

It's gratifying that there has been this much interest over the last few years, and humbling to realize that it's not even a shadow of the interest that some photographers muster.

Still, I take it as a sign that I'm heading in the right direction as I continue to develop my craft and strive to visually eff the ineffable as well as I possibly can.

If you are one of the people who has visited my Flickr pages in the past, maybe even faved and commented a photo or two, thank you! I appreciate you!

Aerie. Salton Sea, California.

Aerie. Salton Sea, California.

Ah, Face Time

The stuff of science fiction. Did you imagine, even 10 years ago, that we'd be casually doing Jeston's-type stuff like this? The kids jumped out of the swimming pool to spend a little face time with their parents (who are 5,000 miles away) while granddad holds the iPad. Next up: flying cars from Tesla?

Ghost Town on the Beach

South of Newport Beach on Orange County's opulent Pacific coast, right on the beach, lies a gorgeous little ghost town of summer cottages. In some of the most expensive real estate in the country you can find about 18 or so beautiful little rotting houses, boarded up and condemned.

The cottages were built in the 1930s for move industry people and have since fallen into abandonment and disrepair.

The State of California bought a three mile stretch of beach -- called Crystal Cove -- and made it into a State Park, so everyone can visit. They also began fully restoring these cottages to their prewar glory. Half of them in the south side of the park are restored and can be rented by the public for a vacation stay.

When the funding comes, the rest will be restored. In the meantime, we have the best of both worlds: a quaint beach community restored to nostalgic perfection on the south side, and a creepy, moving reminder of the unstoppable passage of time on the north side.

Meep Meep!

The Greater Roadrunner has forever been difficult to photograph for me; they are always on the move. Tried shooting birds in flight? Birds running around in the bush at 20 mph is even harder I think, because by the time you spot them, they have already run behind something. But yesterday I finally found one who was interested in standing his ground. I think switching away from Acme brand cameras helped as well.

They have excellent desert camouflage as they go about picking bugs out of cacti. They almost never fly and when they do, it's weak, like a chicken. They run everywhere they go. Not surprisingly, they are related to the cuckoo.

Papa's Got a Brand New Bag

I bought my first camera backpack 8 years ago, when I bought my first dSLR. The camera was somewhat wanting (an Olympus E-500 -- in retrospect, the lamest camera in an already lame camera system) but the backpack was fantastic! 8 years later, it still carries its weight. It has been hiking everywhere with me and my gear, has taken a ton of abuse, and is only now starting to feel a little tuckered out.

Recently I switched platforms from Olympus Four Thirds (not Micro Four Thirds, mind you, just.... Four Thirds) to Canon full frame. I ditched a boatload of lenses and accessories and Olympus' top end SLR body, because Olympus as a company was no longer meeting my needs. With the larger Canon gear, I needed a bigger boat. Naturally, since the Tamrac Expedition 5x (below, right) had been so tough and helpful for so long, I sprang for the 5x's big brother, the Tamrac Expedition 7x (below, left). (Also thanks to Stephanie and Frances for the Amazon gift cards.)

With the the new Canon gear, I also needed a bigger tripod. I discovered my new Manfrotto was a little unstable on the back of the 5x--the pack is just too short. The taller 7x holds it nicely without any wiggling.

I'm not the sort of photographer who's more interested in the gear than the process of photography. To me, gear is great, but it's a really just a bunch of tools to allow me to make photographs. I look at camera stuff the same way a mechanic might look at a set of wrenches. If it works well, I'm not champing at the bit to replace it. (This is why I stuck with Olympus Four Thirds well past its obsolescence; I was still getting satisfying images). So I wasn't completely convinced I needed to replace the 5x because it didn't seem entirely necessary; but like a good tool, the 7x just makes things a little easier.

Like the 5x, the 7x has configurable and highly protective foam dividers inside. The 7x just adds another row. Both of them have a laptop pocket, a centered tripod holder, and two accessory pockets. My 5x weighed 30 pounds fully loaded. The 7x holds more but I haven't weighed it yet. 

The Tamrac Expedition 7x adds a better, more robust and more padded waist cinch that is adjustable, more amply padded shoulder straps that are adjustable in more ways, and more room. Though it will be heavier than the 5x, it also has the better load-bearing waist cinch.

After trading in my ample collection of Olympus gear, I'm starting from scratch. I don't have everything I need yet, but the 7x has room for it when it comes. So far in the bag:

• Canon 6D with Canon battery grip

• EF 17-40mm f/4 L USM

• EF 50mm f/1.4 USM

• EF 300mm f/4L IS USM

• EF 100mm f/2.8L IS USM Macro

• Peleng 8mm f/3.5 circular fisheye

• Full size speedlight

• Macro ring flash (not an LED ring light... those are a waste of money)

• Extension tube set

• Off camera TTL cable

• Cable release/Intervalometer

• Spare camera and flash batteries

• Lens cleaning stuff

• Headlamp

• Hiking towel

• Probably more I'm forgetting, like tripod tools, etc.

When I get the 70-200 f/2.8L, the ring flash will have to lose its case and live in the laptop pocket. A second 580EX type speedlight will stack over the current flash, and there is still a ton of room for wireless triggers, filters, etc.

The backpack is also an excellent place for all my gear even when it's just chilling at home. I don't baby my gear, but I do what I can to keep from breaking it, and so far the Tamrac has done the job beautifully.

Easy Rest Inn

The Mojave Desert contains 25,000 square miles of desolate beauty, take it or leave it. The desert doesn't care either way. I lovingly choose to take it for the expansive, careless elbow room it throws out in all directions like heat from a major fire. There are places here you can hike for scores of miles... a hundred miles... and never see another human soul, places where it seems like no one but you has ever been.

But there's something else we desert lovers find enthralling here: In sites littered across the Mojave, one finds relics of man's optimistic struggle to subdue one of the fiercest places the planet offers. Sometimes it's a crumbling hovel, or a rusty plowshare, a bone-dry cistern, or a decaying old mine. Sometimes it's just a dirty shard of 100 year old crockery.

When we find these relics, they're usually broken, disheveled, disappearing inexorably back into the land, half gone and completely forgotten. They're emblems of the struggle lost, of nature showing who, ultimately, is boss.

That's why it can be a delight, even a shock, to run across something like Club Ed (or Easy Rest Inn, as the sign proclaims) out in the lonely precincts, looking vintage and proud, exotically traditional and very much intact.

But, like much of what we've made in the Mojave, from glitzy Las Vegas to the dirtiest hard-scrabble miner's claim, Club Ed is a total lie. This is not some ancient diner proudly sailing into a nostalgic desert twilight. It was constructed in 1991 as a movie set for the Dennis Hopper movie Eye of the Storm. As a desert diner, it looks too good to be true because it is. It was also too good to tear down after the movie wrapped, so it was acquired, lovingly maintained, and has since served as a prime location for motion picture, television, and commercial photography shoots.

To access the Club Ed property for a project, you'll need permission and you'll probably have to pay money. Contact me if you need help figuring out how to do this (but you can also Google it). The inside of the diner and hotel rooms are every bit as complete, authentic looking, and detailed as the outside.

For my part, I'm happy being what I am in the desert... just an outsider looking in; the Mojave doesn't ask for permission to be with her, and she won't lie to me either, because she just doesn't care. With or without me, the desert is always alone.


Mamma Killdeer

This killdeer is sitting on 4 eggs in a break in the pavement and has been for about a month. They're about to hatch.

Killdeer are an interesting kind of Plover... they always nest on the ground. If a predator gets too close to their nest, the mamma killdeer calls out in distress and begins flapping around on the ground as if her wing is broken. The predator, sensing easy prey, chases after her. She continues this routine as she makes her way away from the nest, luring the predator to follow. When she and the predator are far from the nest, she suddenly heals and flies away. I don't know why this works (dim-witted predators?) but it must, because there are a lot of killdeer in the world.

See her four eggs? The camouflage is pretty good.

See her four eggs? The camouflage is pretty good.

Joshua Love

People from other places often think the iconic Joshua tree is a sort of cactus. It grows in the desert, right? But it's not a cactus. The Joshua tree is a variety of yucca plant and has little in common with cacti but its love for dry climates. The largest ones are very old... some are hundreds, even a thousand, years old. They are often top-heavy, so they have elaborate roots to anchor them in the sandy desert soil.

At first glance they might seem strange, severe, even a little scary. When you see a Joshua tree, you know you're in the Mojave desert -- they don't grow in any other desert anywhere else in the world. (In California, we have both the Mojave and the Sonora deserts, quite distinct from each other. The Great Basin and Chihuahua deserts lie east and north of here in Arizona, Nevada, etc. But the Mojave alone can host Joshua trees; they are the emblem of this desert.)

Becoming familiar with the Mojave, learning to love its austere and careless beauty, one can't help but learn to appreciate, even admire, Joshua trees. They exude a strong and quiet dignity, wise and wizened men of the desert patiently persisting through hard times. And they can seem terrible in their beauty too; this is how they came to be named for the archangel Joshua.

But the Joshua tree's survival as a species is tenuous, and it's not just the old story about industrialization, development and loss of habitat. The Joshua tree suffers an inbuilt fragility in the form of its symbiotic dependency on one solitary species of moth (the "Yucca Moth" or Prodoxidae) to reproduce. The Yucca Moths are obligate pollinators of Joshua Trees, meaning without this one species of pale white moth, no bigger than a pencil eraser, Joshua Trees cannot reproduce. Depending for your species' survival on one insect, and one insect alone, is a vulnerability.

Then there's climate change. You'd think that Joshua trees would like the world to get even hotter, but that's not the case. They only grow in the higher, cooler, moister elevations of the Mojave and as the desert gets warmer and drier, these sentinels of the desert will find less and less terrain to suit them. This is why they don't grow at all in the nearby Sonora desert, drier and hotter as it is. (Of course as the planet gets hotter, if they can get the Yucca moths to move with them, perhaps we'll begin seeing them at the beach in Los Angeles, or growing along Hollywood Boulevard).

Here are a few shots of these trees I've made over the years. I hope my love for them shows through.

Bookish Delight

I'll just say it: I love books! I have always been a book geek, since my earliest reading days. Even today, in the Kindle era, my home office/photo processing room is also a library, lined wall to wall with hundreds of books collected during my lifetime. Which is why it's an extra special delight to license an image to a book publisher for a book cover. Here are a couple of recent book covers featuring a Mojave Morning image:

The British edition of The Son by Philipp Meyer. I took this picture in El Mirage, Mojave Desert. The novel is set in Texas. Close enough.

The British edition of The Son by Philipp Meyer. I took this picture in El Mirage, Mojave Desert. The novel is set in Texas. Close enough.

I was just contacted by the publisher of the French edition for permission to use the image on the French version. Avec plaisir!

I was just contacted by the publisher of the French edition for permission to use the image on the French version. Avec plaisir!

Kellerman's "Bad Love." I shot this at the Santa Monica pier. They added the scary dude.

Kellerman's "Bad Love." I shot this at the Santa Monica pier. They added the scary dude.

I don't always track where images have gone, particularly the royalty free images (the above are rights managed, not royalty free), but when I find a book cover, I get an extra shot of glee.

Hollywood Forever

I received a loaner lens from Canon last week. I've been playing with it quite a bit and really enjoying it. I'll probably talk about it later, but for now, here are a couple of shots from a lens-testing trip to Griffith Park. Sadly, I have to send the lens back to Canon tomorrow.

Shooting into the sun is a good way to see where a lens is weak.. especially a zoom lens. This one did really well.

Shooting into the sun is a good way to see where a lens is weak.. especially a zoom lens. This one did really well.

Even stopped down, depth of field seems shallow when the subject magnification is large. Resolution,sharpness, color and contrast are beautiful.

Even stopped down, depth of field seems shallow when the subject magnification is large. Resolution,sharpness, color and contrast are beautiful.